Salome and the Dance of Writing

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How does literature imagine its own powers of representation? Françoise Meltzer attempts to answer this question by looking at how the portrait—the painted portrait, framed—appears in various literary texts. Alien to the verbal system of the text yet mimetic of the gesture of writing, the textual portrait becomes a telling measure of literature

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Salome's Dance

Summer 1994 - Volume 20 Issue 4 – Critical Inquiry

Françoise Meltzer

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Rochester Review :: University of Rochester

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